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・ Marco Tulio Vega
・ Marco Tulli
・ Marco Ramírez
・ Marco Randriana
・ Marco Rapp
・ Marco Rasmijn
・ Marco Ravaioli
・ Marco Reda
・ Marco Reginelli
・ Marco Reguzzoni
・ Marco Reich
・ Marco Reus
・ Marco Reyna
・ Marco Riccardi
・ Marco Ricchiedeo
Marco Ricci
・ Marco Riemer
・ Marco Rigoni
・ Marco Risi
・ Marco Rito-Palomares
・ Marco Ritzberger
・ Marco Rivera
・ Marco Rizi
・ Marco Rizo
・ Marco Rizzo
・ Marco Roccati
・ Marco Rodríguez
・ Marco Rodríguez (actor)
・ Marco Roelofsen
・ Marco Rogliano


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Marco Ricci : ウィキペディア英語版
Marco Ricci

Marco Ricci (5 June 1676 – 21 January 1730) was an Italian painter of the Baroque period.
==Early years==
He was born at Belluno and received his first instruction in art from his uncle, Sebastiano Ricci, likely in Milan in 1694–6.〔Giacometti, Margherita. In: ''The Glory of Venice: Art in the Eighteenth Century.'' Martineau, Jane; and Andrew Robinson, eds. Yale University Press: New Haven and London, 1994.〕 He left for Venice with his uncle in 1696, but had to flee the city after killing a gondolier.〔 He visited Rome, where he was for some time occupied in painting perspective views.〔Bryan, Michael; and George Stanley. A biographical and critical dictionary of painters and engravers: with a list of ciphers, monograms, and marks. G. Bell, 1878.〕 In 1706–7, he worked with his uncle on the decoration of the Sala d'Ercole in the Palazzo Fenzi, located in Florence.〔 Ricci's propensity for collaboration with other artists makes his early style difficult to trace, but it is generally agreed that his influences included Claude Lorrain, Gaspard Dughet, and Salvator Rosa, along with a naturalistic style of landscape painting practiced in the Veneto in the 17th and early 18th centuries.〔Barcham, William. "Townscapes & Landscapes". In: ''The glory of Venice: Art in the Eighteenth Century.'' Martineau, Jane; and Andrew Robinson, eds. Yale University Press: New Haven and London, 1994.〕 Closer in time, and known personally by Ricci, was the Genoese painter Alessandro Magnasco, whose handling of loose paint and his long, thin, wiry figures are echoed in a number of Ricci's early canvases.〔

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